1 00:01:22,570 --> 00:01:23,690 What's the idea of kicking me? 2 00:01:23,950 --> 00:01:25,810 I didn't kick you. Somebody kicked me. 3 00:01:27,530 --> 00:01:29,270 You suppose that Putin had kicked us? 4 00:01:29,470 --> 00:01:30,730 How could he? He's sound asleep. 5 00:01:31,590 --> 00:01:32,750 Certainly I'm sound asleep. 6 00:01:34,870 --> 00:01:36,050 How come you're talking? 7 00:01:36,690 --> 00:01:38,250 I'm talking in my sleep. 8 00:01:41,030 --> 00:01:42,050 What's the idea? 9 00:01:42,770 --> 00:01:44,830 What's the matter with you? I never get any rest. 10 00:01:45,130 --> 00:01:47,530 Hurry up and get dressed. We arrive in Hollywood in an hour. 11 00:01:47,730 --> 00:01:48,850 Boy, I can hardly wait. 12 00:01:49,070 --> 00:01:50,810 Will I be a sensation in pictures? 13 00:01:52,699 --> 00:01:54,560 Come on, get breakfast ready, Gable. 14 00:01:54,860 --> 00:01:57,380 You wouldn't hit me like that if I was Gable, would you? 15 00:01:57,660 --> 00:01:59,120 No, like this. 16 00:01:59,420 --> 00:02:00,680 Whoa! Whoa! 17 00:02:01,040 --> 00:02:03,040 You'll be in the boxcar, eh? Get going. 18 00:02:03,700 --> 00:02:05,560 Gee, I sure won't miss this old car. 19 00:02:05,840 --> 00:02:09,360 I wonder who loaned us their furniture without knowing it. The cops get us, 20 00:02:09,400 --> 00:02:11,460 you'll find out. Hurry up with that breakfast now. 21 00:02:45,290 --> 00:02:46,290 the best when I get to Hollywood. 22 00:02:47,190 --> 00:02:48,750 How are we going to get in pictures? 23 00:02:49,030 --> 00:02:50,350 We know nothing about movies. 24 00:02:51,790 --> 00:02:54,810 There's a couple of thousand people in pictures now who know nothing about it. 25 00:02:55,130 --> 00:02:56,630 Three more won't make any difference. 26 00:02:58,530 --> 00:03:02,470 Besides, with my ideas, I'll revolutionize the business. 27 00:03:08,990 --> 00:03:12,250 Hey, fellas, ain't I getting to look more and more like Barrymore? 28 00:03:17,640 --> 00:03:18,820 Kiss me, my Caliban. 29 00:03:22,980 --> 00:03:24,140 Hey, Frank, get up. 30 00:03:24,640 --> 00:03:25,680 You, porcupine. 31 00:03:26,080 --> 00:03:27,400 Come on, press my pants. 32 00:03:27,900 --> 00:03:29,920 I want to look at the berries when I go into the movies. 33 00:03:30,400 --> 00:03:31,400 Hurry up. 34 00:04:46,090 --> 00:04:47,250 It feels great to be clean. 35 00:04:47,790 --> 00:04:49,530 Hey, did you see a wheat cake? 36 00:04:50,450 --> 00:04:54,070 Don't tell me you lost it. Yeah, I had it in the pan. I flipped it up and it 37 00:04:54,070 --> 00:04:55,070 never came down. 38 00:04:55,150 --> 00:04:57,270 Oh, there it is. 39 00:04:57,750 --> 00:04:58,970 You can have it. I'll make another. 40 00:05:00,010 --> 00:05:01,750 No, I think you better take it. 41 00:05:02,270 --> 00:05:03,910 Oh, well, I'll make another. Get out! Get out! 42 00:05:43,630 --> 00:05:44,549 What's the matter? 43 00:05:44,550 --> 00:05:45,550 They're swell. 44 00:05:45,910 --> 00:05:48,890 Put them over my arm. Oh, you like them, eh? Yeah. 45 00:05:54,850 --> 00:05:57,370 What'd you do to my pants? Nothing. I gave them a good present. 46 00:05:57,870 --> 00:05:59,190 Oh, yeah. So you did. 47 00:05:59,490 --> 00:06:01,170 Yeah. Good present. 48 00:06:26,760 --> 00:06:28,820 I'm sorry, Mr. Rapp. I forgot about this wire. 49 00:06:29,040 --> 00:06:30,560 It came last night after you left. 50 00:06:31,420 --> 00:06:34,560 In accordance with our new policy, we are sending you Mr. Smith and his two 51 00:06:34,560 --> 00:06:37,260 assistants, who will take complete charge of the studio. Stop. 52 00:06:37,800 --> 00:06:41,060 You will be under their orders and are to give them your complete cooperation 53 00:06:41,060 --> 00:06:42,560 everything they may wish to do. Stop. 54 00:06:42,840 --> 00:06:46,760 They will arrive tomorrow at 2 o 'clock. You idiot. You nearly got me into a 55 00:06:46,760 --> 00:06:47,519 fine mess. 56 00:06:47,520 --> 00:06:49,720 Sorry, sir. Tomorrow at 2 o 'clock? 57 00:06:50,300 --> 00:06:51,300 That means today. 58 00:06:51,880 --> 00:06:54,840 Go and prepare an office and see that they have everything they may possibly 59 00:06:54,840 --> 00:06:57,910 want. Yes, sir. I'll order three bond secretaries. Yes. 60 00:07:04,270 --> 00:07:05,650 Gee, that guy was tough. 61 00:07:06,010 --> 00:07:08,390 Let's try this one. I don't see any watchmen around. 62 00:07:13,930 --> 00:07:14,990 Hey, hey, hey! 63 00:07:16,490 --> 00:07:18,850 Now beat it and don't try to get in here again. 64 00:07:20,970 --> 00:07:23,390 Boy, this picture business is tougher to get into than I figured. 65 00:07:23,650 --> 00:07:24,650 Don't worry. 66 00:07:24,670 --> 00:07:26,410 A bad beginning is a good ending. 67 00:07:26,950 --> 00:07:30,810 Certainly. If at first you don't succeed, keep on sucking till you do 68 00:07:32,150 --> 00:07:36,170 Now we gotta get into the studio by hook or crook. 69 00:07:38,130 --> 00:07:40,810 Say, you remember how we got in a circus last winter? 70 00:07:41,030 --> 00:07:42,570 He's got it. That'll work. 71 00:07:42,810 --> 00:07:43,810 You said it. Come on. 72 00:07:46,850 --> 00:07:49,990 Say, I'm from the newspapers. Would you mind posing for a photograph? 73 00:07:50,350 --> 00:07:51,249 Why, sure. 74 00:07:51,250 --> 00:07:53,190 Thanks. Now look up at the top of the building. 75 00:07:53,710 --> 00:07:55,210 And shade your eyes with your right hand. 76 00:07:55,450 --> 00:07:57,090 That's fine. Now raise your right leg. 77 00:07:58,130 --> 00:07:58,929 Hold it. 78 00:07:58,930 --> 00:08:00,530 That's swell. That's beautiful. Swell. 79 00:08:01,470 --> 00:08:02,470 Don't move now. 80 00:08:13,010 --> 00:08:18,070 What are you doing? Waiting for a newspaper ad? Why, I'm... It's those 81 00:08:18,070 --> 00:08:19,670 guys. Watch that gate. 82 00:08:21,160 --> 00:08:24,620 It's about time those New York executives arrived. Have you heard from 83 00:08:24,620 --> 00:08:25,620 sir. Not yet. 84 00:08:30,180 --> 00:08:31,780 Well, here we are. 85 00:08:32,020 --> 00:08:34,059 Oh, well, I show these guys how to make pictures. 86 00:08:34,900 --> 00:08:35,900 Gentlemen! 87 00:08:37,679 --> 00:08:38,900 Welcome to Hollywood. 88 00:08:39,120 --> 00:08:40,419 I've been expecting you. 89 00:08:40,760 --> 00:08:42,000 Welcome. Welcome. 90 00:08:43,460 --> 00:08:46,920 I've received my instructions from New York. Gentlemen, the studio is yours. 91 00:08:47,240 --> 00:08:50,660 And I shall do everything within my power to help you make better pictures. 92 00:08:51,440 --> 00:08:53,160 How did you enjoy your trip across the continent? 93 00:08:53,420 --> 00:08:54,520 All the comforts of home. 94 00:08:57,620 --> 00:09:00,180 Pinch me. I think I'm dreaming. Shut up. Act important. 95 00:09:04,640 --> 00:09:06,640 Dear Santa Claus. 96 00:09:21,740 --> 00:09:22,780 Will you join us in a toast? 97 00:09:24,280 --> 00:09:26,300 I don't like toast. That black stuff gets in my teeth. 98 00:09:26,660 --> 00:09:28,720 Come on, I'll gouge your eyes out. Come on. 99 00:09:31,020 --> 00:09:32,600 A little toast to your success. 100 00:09:33,000 --> 00:09:34,000 Oh, sody pop. 101 00:09:35,740 --> 00:09:38,100 Think you can get it open? No, anyhow, I used to be a corker. 102 00:10:00,260 --> 00:10:02,300 Camera. Oh, Marie, you may go. 103 00:10:04,340 --> 00:10:05,340 Come in. 104 00:10:06,480 --> 00:10:07,780 Oh, my darling. 105 00:10:08,080 --> 00:10:09,080 Sweetheart. 106 00:10:09,540 --> 00:10:11,360 At last, they're doing it right. 107 00:10:12,020 --> 00:10:15,020 I've dreamed of the day that we could fly away from here together. 108 00:10:15,260 --> 00:10:16,380 Hiya, fellas. Is this swiney set? 109 00:10:18,560 --> 00:10:19,560 Hmm. 110 00:10:20,660 --> 00:10:22,420 What? The very idea. 111 00:10:22,900 --> 00:10:24,320 What is the meaning of all this? 112 00:10:24,740 --> 00:10:25,800 Who are you? 113 00:10:27,540 --> 00:10:28,540 Hiya, Ted. 114 00:10:29,870 --> 00:10:30,870 I'll explain the whole thing. 115 00:10:42,450 --> 00:10:44,470 Do you mind if I continue? 116 00:10:44,950 --> 00:10:46,490 It's all right with me, but let's get going. 117 00:10:49,830 --> 00:10:51,730 Action. All right, darling. 118 00:10:52,490 --> 00:10:53,490 Sweetheart. 119 00:10:54,050 --> 00:10:55,050 Cut, cut, cut. 120 00:10:55,230 --> 00:10:58,210 You ain't shooting the picture right. Buddy, what's the matter with it? 121 00:10:58,210 --> 00:10:59,019 no action. 122 00:10:59,020 --> 00:11:00,540 It was no good from the first kiss. 123 00:11:00,900 --> 00:11:02,760 Kiss? What do you know about kisses? 124 00:11:03,800 --> 00:11:05,000 Tell him what we know about kisses. 125 00:11:05,300 --> 00:11:06,300 That's enough. 126 00:11:09,200 --> 00:11:10,820 Now, stick around and learn something. 127 00:11:11,080 --> 00:11:12,080 Come here, Chutz. 128 00:11:12,760 --> 00:11:13,760 You watch me. 129 00:11:21,020 --> 00:11:25,560 That's sort of the hit -and -run type. No, that's not what he wants. 130 00:11:26,040 --> 00:11:27,040 Watch this. 131 00:11:33,480 --> 00:11:35,660 See? It's a sort of a stone base idea. 132 00:11:36,000 --> 00:11:37,140 That ain't it. 133 00:11:40,000 --> 00:11:41,640 With me, it's a sacrifice. 134 00:11:42,160 --> 00:11:44,240 Oh, Mr. 135 00:11:44,540 --> 00:11:45,540 Howard. 136 00:11:54,340 --> 00:11:55,340 Easy, 137 00:11:58,040 --> 00:12:01,920 easy. Say, he's passing out. 138 00:12:02,120 --> 00:12:04,600 Yes. Tell me your name, kid, so I can tell your mother. 139 00:12:04,880 --> 00:12:05,880 My mother knows my name. 140 00:12:07,900 --> 00:12:11,160 What do you think you are? 141 00:12:11,860 --> 00:12:14,620 All right, now, show these puppets how to put action behind their words. 142 00:12:14,900 --> 00:12:16,120 Get yourself all set now. 143 00:12:17,660 --> 00:12:18,660 Come, Lance. 144 00:12:20,820 --> 00:12:22,100 Oh, my darling. 145 00:12:25,820 --> 00:12:26,820 Sweetheart. 146 00:12:27,660 --> 00:12:29,320 Oh, will you look at that, swiney? 147 00:12:29,660 --> 00:12:31,660 The name is Spineheart, please. 148 00:12:32,060 --> 00:12:33,060 Yeah. 149 00:12:33,440 --> 00:12:36,840 I've dreamed of the day that we could fly away from here together. 150 00:12:38,300 --> 00:12:40,260 Oh, I bet you tell that to all the girls. 151 00:12:40,720 --> 00:12:43,120 No! Quiet, Joe. Just the actions. No words. 152 00:12:43,880 --> 00:12:44,880 Go ahead. 153 00:12:45,020 --> 00:12:46,820 Oh, but alas, we cannot. 154 00:12:48,300 --> 00:12:49,740 I have no money. 155 00:12:53,560 --> 00:12:55,660 Oh, darling, money doesn't mean everything. 156 00:13:05,070 --> 00:13:06,070 Is that a scene, pig heart? 157 00:13:07,170 --> 00:13:08,670 Swine! Swine! 158 00:13:08,910 --> 00:13:10,650 Yeah, swine, pig, it's all the same. 159 00:13:10,930 --> 00:13:13,790 Swine heart, pig heart, pig heart, heart burn, who cares? 160 00:13:14,210 --> 00:13:15,210 We'll make it like that. 161 00:13:15,590 --> 00:13:16,590 I quit! 162 00:13:17,770 --> 00:13:18,770 You can't quit. 163 00:13:19,370 --> 00:13:20,370 And why not? 164 00:13:20,490 --> 00:13:22,890 Because you're fired. You can't fire him. Why not? 165 00:13:23,110 --> 00:13:23,849 He quit! 166 00:13:23,850 --> 00:13:24,850 Get out! 167 00:13:25,170 --> 00:13:27,270 Citizen, how are we going to finish this picture? 168 00:13:27,490 --> 00:13:28,490 Now, don't worry about that. 169 00:13:28,710 --> 00:13:29,970 I'll direct the thing myself. 170 00:13:30,350 --> 00:13:31,610 Well, you can count me out. 171 00:13:32,050 --> 00:13:34,960 One. Two, three, and four is ten. The winner. 172 00:13:35,800 --> 00:13:36,800 You're out. 173 00:13:37,920 --> 00:13:38,920 I'm through. 174 00:13:40,660 --> 00:13:43,660 Well, you can get a new face for me. I'm through with this nonsense. 175 00:13:45,900 --> 00:13:47,700 Now, where are we going to get a new face for her? 176 00:13:48,320 --> 00:13:49,320 I got it. 177 00:13:49,540 --> 00:13:51,320 The face from the barroom floor. 178 00:13:52,220 --> 00:13:53,220 Pick out two fingers. 179 00:13:53,520 --> 00:13:54,520 One, two. 180 00:14:02,730 --> 00:14:03,730 Is that a sin? 181 00:14:37,959 --> 00:14:40,000 Darling, I have come for you. 182 00:14:40,400 --> 00:14:43,740 Sweetheart, come with me and fly away. 183 00:14:44,180 --> 00:14:45,180 Oh, not that. 184 00:14:48,260 --> 00:14:49,920 You're breaking my heart. 185 00:14:53,380 --> 00:14:54,860 Please, darling, please. 186 00:14:59,640 --> 00:15:05,140 Oh, colossal. Terrific. 187 00:15:06,320 --> 00:15:09,400 Man, that was great. When the boss sees that scene, well, he go nuts. 188 00:15:11,520 --> 00:15:12,520 Here's the wire, sir. 189 00:15:12,780 --> 00:15:13,780 Oh, thanks. 190 00:15:18,060 --> 00:15:20,300 Smith plane grounded. Account of fog. Stop. 191 00:15:20,500 --> 00:15:23,080 Will not arrive until tomorrow. Regards, Burton Fisk, President. 192 00:15:23,920 --> 00:15:29,420 Well, those three executives won't arrive until... Oh, say, who are those 193 00:15:29,420 --> 00:15:30,339 three guys? 194 00:15:30,340 --> 00:15:31,460 I don't know, sir. 195 00:15:32,260 --> 00:15:34,500 Call that Gateman. Get all the Gateman. Come on. 196 00:15:36,840 --> 00:15:37,840 nothing to this picture racket. 197 00:15:38,060 --> 00:15:40,640 We'll show these Hollywood guys how to make pictures. Certainly. 198 00:15:40,980 --> 00:15:41,980 What do we do now? 199 00:15:42,240 --> 00:15:43,099 Think of something. 200 00:15:43,100 --> 00:15:44,360 Come on, use your head. 201 00:15:45,160 --> 00:15:48,580 I threw them out once, boss. 202 00:15:48,820 --> 00:15:51,960 So did I. And they tried to crash my gate, too. Well, you'll have a chance to 203 00:15:51,960 --> 00:15:52,960 throw them out again. 204 00:15:53,340 --> 00:15:55,220 I think our genius didn't appreciate it here. 205 00:15:55,520 --> 00:15:56,520 Let's scram. 206 00:16:12,460 --> 00:16:13,460 hide in here. 207 00:16:16,040 --> 00:16:17,120 Hurry up and lock the door. 208 00:16:24,900 --> 00:16:27,340 Oh, they'll never find us. Certainly we're safe in here. 209 00:16:27,900 --> 00:16:29,540 Just like in our mother's arms. 210 00:16:30,620 --> 00:16:31,720 What are you growling about? 211 00:16:32,000 --> 00:16:33,460 I didn't growl. Not me.